Dancing for dollars
Standing on the front porch at 8:30 this morning and looking out at the frozen tundra which stretches out at my feet. The walkway is covered with snow and my precarious sneaker situation makes traversing the distance to the street difficult today. Should I shovel a pathway and be late for work? I have to decide. I vacillate on the notions of frozen feet, and then trek out into the snow, taking large steps in between, as though the larger footsteps are going to cut down on the amount of snow making its way into my shoes. Five steps in, I realize: fuck it-it doesn’t matter. I mine as well be barefoot or walking on hot coals right now. Where is my fascist neighbor with his workhorse son, I wonder, clearing the snow away as his dad stands behind him and tells him to hurry up? I don’t know, but even the mentally challenged seem particularly smarter than me today (as I contemplate the aforementioned whereabouts of my challenged neighbor—about whom the jokes abound—a nascent image presents of him, sitting indoors, feet kicked up as he swills Cherry Coke from a straw and simultaneously takes in an episode of Looney Toons).

I am listening to the The Knife’s Silent Shout on my car stereo today. I don’t know anyone who actually likes this album, but it seems relative to the vast frozen tundra, and I can only imagine its detractors probably don’t reside in the northeast. The great thing about Silent Shout, though, is that beyond the austerity, it’s an evenly measured dance album. And therein lies the awesomeness of this record for me, because not only could can you hang yourself to it, but alternately you could throw an all-night dance party (although that seems to posit the fact that it would be a pretty depressing dance party, where everybody feels suicidal and grim at the end, but I think what I was actually relating is the way I feel after 80’s night at the Fuze). I turn it up a notch in my car, and then try and imagine the appropriate dance moves to accompany the song I am listening to. People would ask me why I’m dancing so weird, and I’d tell them, it’s simple: my feet are frozen.

Pancakes for one are always depressing
My girlfriend has recently broken up with me, taking the opportunity to call me while driving home one night. “Can you hold on?” she asks me. “I’ve got to put my headset on.” It seems funny to me. Once everything is in place, she gets back to the task at hand, which is filled with so much grim foreboding. “It’s not that you’re a bad person,” she says, “It’s just that you lack any sort of drive. –I mean, you really do just seem to be coasting.” I latch on to that word, appreciating the syllables as they make their way off of my tongue. “Coasting,” I say contemplatively. “Yeah,” she fires back, “I mean, there’s just no sense of get-up-and-go.” It’s difficult for me to determine, but the verbiage being suggested really does seem evocative of the car ride: drive, coasting, get-up-and-go. I try and imagine the motions suggested by these words but am so far detached from these concepts that I actually have to ask. “So what you’re saying is that you’d be way more into me if I had a better job or something?” That makes some amount of sense, I have to admit. Going out to dinner or anywhere that involved any sort of monetary exchange was always a particularly awkward time, never being able to pay. And her parents seemed particularly unnerved with my lack of a 401K. “Yeah,” she admonishes, “TAKE A NIGHT CLASS, or do SOMETHING.” There is pause, where she tries to fiure out something else that I could do—the necessary locomotion a life should carry, the motions and movements which add up to time well spent in the arithmetic of civility. “What about that literacy program?? she wants to know. “Weren’t you going to do a literacy program?” Night classes, literacy programs: the shoes or hair I could actually concede to, but these things seem totally superfluous to me. But ah, well: I should have seen it coming. My life, on paper, is not very impressive. In the end, there’s nothing I can do but give in. “It’s all true,” I tell her compassionately. “I know exactly what you’re saying.” It seems weird to be able to achieve the level of detachment which allows you to see things objectively, but I seem to have done that: “I know I wasn’t always easy to deal with,” I tell her sympathetically. “I guess I’ll see you,” I say before hanging up the phone.

Lying back on my bed, it’s hard not to concede that something seems seriously amiss with me. And it wouldn’t be so bad except that I just had this same conversation with another girlfriend, five years removed. She recently called me up and rehashed some things. Iceberg, I think she may have said, before blowing up my spot totally with the very incendiary scather by-the-way of Destiny’s Child lyrics. All you can really do is shake your head when someone actually quotes Destiny’s Child lyrics to insult you. And then I remember what was fundamentally wrong with that situation: differing tastes in music.

On TV I take comfort in a rerun of Seinfeld. They are seated in the diner, when Jerry begins relating a near-death experience. –You always say that you’re going to live your life differently from that moment on, he says, but nobody ever does. And what would that imply? Elaine asks. WHAT ISN’T A WASTE OF TIME?? I MEAN, CAN’T YOU EVEN DRINK A CUP OF COFFEE ANYMORE? she says. And then I remember: my girlfriend hated that show, too.

They don’t make lies like they used to
I will read anything left in the break room at work: True Story Magazine, which features the utmost in outrageous tales of domestic debauchery (fictional); out-of-date Rolling Stone magazines and obscure romance novels, with brittle yellow pages that have been left untouched for years; Entertainment Weekly, whose faux-New York variety editors churn out articles and lists—lists of anything—to validate the fact that yes, they are young and urban, and into indie-rock; or even Sound and Vision magazine, which panders exclusively to the bourgeoisie and whose featured “entertainment systems” cost more than my annual salary for the last five years combined. Advertisements, brochures, bulletins and obscure addiction pamphlets, with hilarity-inducing drawings accompanying descriptions. My job is so mind numbingly boring—such an affront to the senses on every available level!—such an assault to mankind in general!—clear out some knitting magazines from your recently deceased 84-year-old grandma’s coffee table and I will probably check them out for at least ten minutes of total sensory overload.

Today I am reading the Daily Gazette, which is a Schenectady, New York newspaper that saves you ten cents over the leading newspaper subscription. The only people I’ve ever met who actually subscribe to this paper are my dad and some chumps who live out in the middle of nowhere, so that the leading paper (e.g. The New York Times) does not deliver there. In any case, it’s a pretty worthless piece of trash, and I’m pretty sure you can read the entire thing, cover to cover, in no more than 15 minutes. Today I am reading, perusing like a motherfucker—actually going so far as to read the obituaries, because I have nothing better to do. Most of the obituaries I’ve ever read go to great lengths to point out the definitive life-moments of the individual, what schools they’ve attended, where they’ve lived, etc. In the case of some momentous trauma the editors at said paper and the respective families usually go the distance of providing such vagary that you, the reader, have no idea of what actually happened as the cause of death. But today I am reading and this obituary actually points out that this young person was a DRUG ADDICT, and that it got the best of him, in the end. It wastes no time in pointing this out either, not even sparing the proverbial five lines of lifetime dogma. It seems unreal to me. Can they actually get away with this?? I want to know. Can your family actually defame you in such a shrewd manner? It seems crazy, but it is real and it is true. Die doing something your family wouldn’t want you to, and they might chide you for your death-style (as if they actual living wasn’t hard enough—hence the existence of illicit drugs to begin with—now there’s all this to worry about). It stresses me out for about ten minutes, during which time I scroll my own obit, pointing out all of the finer achievements: Ryan Kemp, many memorable hairdos, unfortunate sneaker collection. I get uptight about it, and then I realize: it probably won’t matter too much in the end.